Notre mode est esquissé par un calcul simple défini par des ronds géométrique superposés où on a utilisé seulement son ¼ pour garnir le besoin des angles de chacune de nos lettres.Toujours dans l’idée à avoir dans le même espacement alloué, la même lettre imbriquée autant de fois de graisse exemple du Hairline à Ultrabold.C’est de cette manière que j’ai pu obtenir un grand nombre de styles, avec un crénage très intéressant ce qui m’a incité à étendre la police à d’autres langues avec +1000 caractères et +600 glyphes.J’ai toujours été prisé par le tout en « 1 ». P.S: A10 STAR integrates Diacriticism in all its forms.Texte d'origine : Abdallah NASRI a eu recours en étant ancien typographe/lino et calligraphe à la nature de l'idée d'une collection "INTERCHANGEABLE" pour les types qui en réalité offre un collier de police parallèle à la fonte complexe du variable.
TEST: At 50% screen in a body of 12 pixels, the A10 STAR Alphabet subjected to a test, has a clear Readability / Visibility.I assure you that I sought to obtain the maximum of Visibility for a use S / Titling TV, WEB Pages and Typography Typo once the difficult thing was done, I was rewarded by a font that has countless typographic openings for the world of graphics with 10 styles of weights in hand, and again I am happy to have personalized the charm of each letter by new details I do not regret the time spent on thinking about it so that it is useful and at the same time pleasant as a working tool, finally profitable in all sectors and more multilingual, without forgetting that it is a family of inter change c ' is to say: All the types occupy the same height of the body and it is their fats which differs in the same space width of each of the letters, therefore no interference in spacing.Here, an additional alternative, a participation of a septuagenarian in the service of the love of modern digital typography. As a former typographer / lino and calligrapher, Abdallah NASRI had recourse to the nature of the idea of an "INTERCHANGEABLE" collection for types who in reality offer a police collar parallel to the complex typeface of the variable.Our fashion is outlined by a simple calculation defined by superimposed geometric circles where we used only its ¼ to fill the need for the angles of each of our letters.Always with the idea of having in the same allocated space, the same letter nested as many times as fat example from Hairline to Ultrabold.It was in this way that I was able to obtain a large number of styles, with a very interesting kerning which prompted me to extend the font to other languages with +1000 characters and +600 glyphs.I have always been treasured by the all in "1".
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